Sunday, November 27, 2011

Arachnophobia

  • Everyone is afraid of something for Dr. Ross Jennings, his phobia is downright embarrassing. But when he moves his family to a small town, the one thing that bugs him most is now harming the townspeople at an alarming rate. For this unlikely hero, overcoming a childhood fear of spiders might just save the community, but it may already be too late! System Requirements: Starring: Jeff Daniels, J
EIGHT LEGGED FREAKS - DVD MovieIn the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari ! Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonResidents of a rural mining town discover that an unfortunate chemical spill has caused hundreds of little spiders to mutate overnight to the size of SUVs. Movie tagline: Do you hate spiders? Do you really hate spiders? Well they don't like you either. In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-! spider thriller. The plot's hardly original, but familiarity i! s half t he fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonA VARIETY OF HORRIBLE POISONOUS SPIDERS GET EXPOSED TO A NOXIOUSCHEMICAL WHICH CAUSES THEM TO G! ROW TO MONUMENTAL PROPORTION.In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," firs! t-time director Ellory Elkayem gives genre fans and arachnopho! bes a gi ddy nightmare they won't soon forget. --Jeff ShannonResidents of a rural mining town discover that an unfortunate chemical spill has caused hundreds of little spiders to mutate overnight to the size of SUVs. Movie tagline: Do you hate spiders? Do you really hate spiders? Well they don't like you either. In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by ! digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonOutrageous and hilarious. Youll laugh out loud and enjoy the fun action and out-of-this-world special effects as these unlikely heroes battle the most unecpected group of aliens youll ever see. Studio: Paramount Home Video Release Date: 08/24/2004 Starring: David Duchovny Seann William Scott Run time: 102 minutes Rating: Pg13 Director: Ivan ReitmanBased on the evidence in Evolution, one thing is perfectly clear: special effects have evolved, but director Ivan Reitman has reverted to primitive pandering. Equally obvious is the fact that Evolution is a ! de facto rip-off of Reitman's 1984 classic Ghostbusters! , but th is time there's no Bill Murray to deliver the best punch lines (we have to settle for fellow ghostbuster Dan Aykroyd in a broad supporting role), and the comedy has devolved into a grossfest including deep-rectal extraction of alien insects, fire-hose enemas into a giant alien sphincter, and a full-moon display of David Duchovny's naked posterior. Whereas Ghostbusters was a shrewd, irreverent mainstream comedy that combined gooey spectral ectoplasm with something resembling genuine wit, Evolution is a crude, juvenile romp in which all things slimy are elevated to comedic supremacy.

Granted, that's not always a bad thing. As latter-day ghostbuster equivalents, Duchovny, Orlando Jones, and Seann William Scott make a fine comedic trio, and Julianne Moore is equally amusing as a clumsy scientist and Duchovny's obligatory love interest. Despite the meddling of clueless military buffoons, they join forces to eradicate a wild variety of rapidly evolving alien cre! atures that arrived on Earth via meteor impact, and the extraterrestrial beasties (courtesy of effects wizard Phil Tippet and crew) are outrageously designed and marvelously convincing. For anyone who prefers lowbrow humor, Evolution will prove as entertaining as Ghostbusters (or at least Galaxy Quest), while others may lament Reitman's shameless embrace of crudeness. One thing's for certain: after seeing this movie, you'll gain a whole new appreciation for Head & Shoulders shampoo. --Jeff Shannon Hollywood Pictures and Amblin Entertainment deliver the year's most electrifying big-screen roller coaster ride of a movie! Everyone is afraid of something ... for Dr. Ross Jennings (Jeff Daniels), his phobia is downright embarrassing. But when he moves his family to a small town, the one thing that bugs him most is now harming the townspeople at an alarming rate. For this unlikely hero, overcoming a childhood fear of spiders might just save the communi! ty, but it may already be too late! Directed by Frank Marshall! (Execut ive Producer, BACK TO THE FUTURE, Producer, RAIDERS OF THE LOST ARK) and also starring John Goodman, this critically acclaimed breathtaking hit entertains with its terrific mix of thrills, chills, and laughter!Most horror movies depend on giant monsters; Arachnophobia gets just as many thrills out of creatures only a few inches long. A scientist (Julian Sands, Warlock, A Room with a View) who's hunting a vicious new species of spider in Venezuela unknowingly ships one back to the U.S. It ends up in a small town where a new doctor (Jeff Daniels, The Purple Rose of Cairo, Something Wild) is trying to establish a practice. When his patients start suddenly dying, Daniels suspects spiders--but no one takes him seriously because he's had a phobia about spiders since childhood. Arachnophobia builds a slow but relentless sense of menace and creepiness, mixed with a sneaky satire of small town life. If you're squeamish about spiders,! this will get under your skin. Also featuring the ever-dependable John Goodman (The Big Lebowski, Barton Fink) as a comically zealous exterminator. --Bret Fetzer

Bandidas : Widescreen Edition

  • Widescreen
Salma Hayek and Penelope Cruz have never been sexier as they team up for this hilarious, action-packed western! Determined to avenge the deaths of their fathers, Sara Sandoval (Hayek) and Maria Alvarez (Cruz) vow to seize the ill-gotten gains of robber baron Tyler Jackson (Dwight Yoakam). So, with help from a retired bank robber (Sam Shepard) and a jittery criminologist (Steve Zahn), these two beauties become unlikely outlaws, blazing a trail of larceny and laughter across Mexico!First screened in Europe and scheduled for limited release in the U.S., Bandidas can now be viewed by all fans of the visually stunning duo, Penelope Cruz and Salma Hayek. Set in Mexico 1888, Bandidas is a Western spoof about two women, Maria Alvarez (Penelope Cruz) and Sara Sandoval (Salma Hayek), who seek! to avenge the tragedies befallen both their fathers under robber baron, Tyler Jackson (Dwight Yoakam). Jackson, employed by the Bank of New York, is sent to Mexico to buy land and open banks to the detriment of local culture. Jackson kills Sara's corrupt father, Don Diego, while bandits burn down Maria's home. The two ladies band together for the community's cause. Under the tutelage of Bill Buck (Sam Sheperd), Sara and Maria develop bank robbery skills. When criminologist, Quentin Cooke (Steve Zahn), hunts them, they convert him with their strong moral sense and good looks. Like any Thelma and Louise-ish tale of women who take charge, Maria and Sara are foil characters who eventually become an invincible, sisterly team. This comedy is built around their bickering. For Sara, with European education and penchant of designer clothing, Maria is a hick who lacks refinement, yet Maria, horse whisperer, can fire a gun. The slapstick is overkill, for example when Sara wond! ers whether a bandana is Gucci or Prada. However, viewers will! love Pe nelope Cruz on horseback and the two actresses practice-kissing their foe in a brothel. Bandidas is a light film with some laughs and mucho sex appeal. -- Trinie Dalton

Beyond Bandidas


More Films from Salma Hayek



More Films from Penelope Cruz

More Comic Westerns
Stills from Bandidas







dvd

Phineas and Ferb #7: Freeze Frame

  • ISBN13: 9781423127413
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. EMI. 2008.
When Phineas and Ferb’s older sister, Candace, discovers that a traffic camera has recorded her brothers’ crazy adventures, she is thrilled that she finally can prove that they are always up to something! But little does she know that Perry the Platypus is after the same camera because it has caught him disguised as Agent P! Who will get to the camera first? Plus, the wild times continue when Phineas and Ferb build a giant bowling alley!

Absolute Power [Blu-ray]

  • ABSOLUTE POWER BLU-RAY (BLU-RAY DISC)
Who will believe the word of a career thief and ex-con who was on scene when a woman is killed â€" and that the man responsible is the U.S. President? Clint Eastwood, Gene Hackman and Ed Harris headine a razor-edged suspense tale.Director Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the U.S. president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding he! artbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff Shannon

Heartbreaker

  • HEARTBREAKER (DVD MOVIE)
In a frothy, sexy feature The Huffington Post called an effervescent delight, Alex (Romain Duris of The Beat That My Heart Skipped) is a romantic for hire. If your daughter or sister or friend is falling for the wrong man, Alex will get her to fall for him, watch her dump the loser...and then break her heart by walking away. She ll be sad but wiser and lucky to have avoided a bad relationship. It s a highly profitable business with one rule: don t fall in love. When Alex is hired to woo Juliette (Vanessa Paradis of Girl On The Bridge), he breaks her heart...and his own rule. Starring two of the most beautiful actors in the world, Heartbreaker is the perfect date movie with a sweetly hilarious, Dirty Dancing-inspired finale that you ll never forget.

CONNOR Street Sign Great Gift Idea 100's of names to choose from!

  • Sign Size: 4"x 18"
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When 15-year-old Owen (Alex Linz) meets Congressman Lawrence Connor (Steven Weber) at his middle-school graduation, the bookish, friendless boy is flattered to be offered a junior position with Connor`s senatorial campaign. Owen befriends the congressman`s young nephew, Caleb, and as his involvement in the campaign grows, Owen`s innocence is shattered as he discovers the dark underbelly of politics, where business and politics share more than financial interests, and idealism and innocence rarely go unpunished.Are you a frustrated parent trying to bring up an adolescent? Are you a frustrated adolescent trying to bring up your parent? When Shit Happens! Learn how to move through the limiting thoughts and into your own power with the! intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU. Now is your chance to help create your own world. Quit the struggle Understand the reason why shit happens Find your self choosing to create your own reality Can you feel that the structures of the old society are being rocked! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future! Change is inevitable you can choose to This Sink Or that Swim"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain wor! ld, YOU.
Now is your chance to help create your own world! .
Q uit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own realityCan you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
This sign is 4"x18" and made with an exterior grade PVC plastic and printed with the best inks in the industry. Perfect for outdoor use for over 5 years or will look great inside. No rusting or fading indoors or out. The sign come with round corners and 2 holes for easy mounting. We carry 1000's of different signs to choose from. You can't go wrong with a ZANYSIGNS Street Sign, the ultimate gift for any occasion!

Small Town Girl

  • This kit includes 2 plastic frames, 4 animal punch outs, 10 colors of dough, 2 peel
  • This kit has great art activities for younger children
  • Kids can create 16 different beautiful projects with this kit
  • This kit is a great activity for one child or a small group
  • Art activities encourage a child's imagination and learning development
  • Also includes stick tissue art pictures, tons of tissue paper, glue, easy instructions
When Lauren Smith begrudgingly returns to the small Vermont town where she grew up to arrange for the sale of her late grandmother's old farmhouse, she has everything she's always worked for. Lauren drives a Mercedes. She's engaged to one of the most powerful businessmen in the country and wears a three-carat diamond ring to prove it. She lives in a penthouse on Central Park West. Yes, Lauren has everything she considers important. She is sm! ugly prepared for any eventuality in dealing with these country people so Lauren isn't surprised when the hot water isn't working at the old house. No problem. She simply looks in the phone book and calls the local plumber. The moment Caleb Cochran steps through the old screen door to fix the hot water, the glittery facade that masquerades as Lauren's life begins to crumble around her. Though she tries hard to deny their mutual, magnetic attraction, Lauren is finally forced to reevaluate her focus and come face-to-face with her true self. Small Town Girl is a story of discovering the true meaning of life and love.When Lauren Smith begrudgingly returns to the small Vermont town where she grew up to arrange for the sale of her late grandmother’s old farmhouse, she has everything she’s always worked for. Lauren drives a Mercedes. She’s engaged to one of the most powerful businessmen in the country and wears a three-carat diamond ring to prove it. She lives in a pent! house on Central Park West. Yes, Lauren has everything she con! siders i mportant. She is smugly prepared for any eventuality in dealing with these country people so Lauren isn’t surprised when the hot water isn’t working at the old house. No problem. She simply looks in the phone book and calls the local plumber.

The moment Caleb Cochran steps through the old screen door to fix the hot water, the glittery facade that masquerades as Lauren’s life begins to crumble around her. Though she tries hard to deny their mutual, magnetic attraction, Lauren is finally forced to reevaluate her focus and come face-to-face with her true self. Small Town Girl is a story of discovering the true meaning of life and love.When Lauren Smith begrudgingly returns to the small Vermont town where she grew up to arrange for the sale of her late grandmother’s old farmhouse, she has everything she’s always worked for. Lauren drives a Mercedes. She’s engaged to one of the most powerful businessmen in the country and wears a three-carat diamond ring t! o prove it. She lives in a penthouse on Central Park West. Yes, Lauren has everything she considers important. She is smugly prepared for any eventuality in dealing with these country people so Lauren isn’t surprised when the hot water isn’t working at the old house. No problem. She simply looks in the phone book and calls the local plumber.

The moment Caleb Cochran steps through the old screen door to fix the hot water, the glittery facade that masquerades as Lauren’s life begins to crumble around her. Though she tries hard to deny their mutual, magnetic attraction, Lauren is finally forced to reevaluate her focus and come face-to-face with her true self. Small Town Girl is a story of discovering the true meaning of life and love.Armed with a rousing musical score by Bob Merrill ( Funny Girl ), dance numbers staged by Bob Fosse and a sparkling cast led by Gwen Verdon and Thelma Ritter, New Girl in Town became a Broadway smash in '57. Here's its original-cast ! soundtrack: Roll Yer Socks Up; On the Farm; Sunshine Girl; It'! s Good t o Be Alive , and more!DISCOVERY EXCLUSIVE! Sixteen great projects are included in one giant activity box of fun, like dough animals, collages, sticker art, tissue art and paper bag puppets. The Discovery Giant Activity Box arrives with all the supplies you need, plus easy instructions.Sentenced to 30 days cooling his heels in the Duck Creek cooler for speeding, Manhattan playboy Rick Belrow Livingston (Farley Granger) decides he doesn't like anything about small towns...until he meets small town girl Cindy Kimbell (Jane Powell). The stars make charming lovers, but the film belongs to Busby Berkeley, whose inspired dance direction guides some of the most famed moments in movie-musical history: I've Got to Hear That Beat, with Ann Miller whirling her fabulous legs around a floor of disembodied hands playing musical instruments, and human-pogo stick Bobby Van's jaw-dropping, gravity-defying hop through town to the tune of Take Me to Broadway.

This product is manufacture! d on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.


Star Wars Episode V: The Empire Strikes Back Framed Mini Film Cell Presentation

  • Size: 5" x 7"
  • Features a film cell from the movie Star Wars Episode V: The Empire Strikes Back.
  • Framed
  • Special Edition
  • Highly collectible! Perfect gift for the movie fan.
Star Wars: The Original Trilogy on Blu-ray will feature Star Wars Episodes IV-VI utilizing the highest possible picture and audio presentation.

Star Wars Episode IV: A New Hope
Nineteen years after the formation of the Empire, Luke Skywalker is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of the evil Empire.

Star Wars Episode V: The Empire Strikes Back
In this installment, Luke S! kywalker and his friends have set up a new base on the ice planet of Hoth, but it is not long before their secret location is discovered by the evil Empire. After narrowly escaping, Luke splits off from his friends to seek out a Jedi Master called Yoda. Meanwhile, Han Solo, Chewbacca, Princess Leia, and C-3PO seek sanctuary at a city in the Clouds run by Lando Calrissian, an old friend of Han’s. But little do they realize that Darth Vader already awaits them.

Star Wars Episode VI: Return of the Jedi
(4 years after Episode IV) In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor. The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its ge! neration. On its surface, George Lucas's original 1977 film is! a rolli cking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever,! marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks.

Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David HoriuchiBy the end of the 1970s, John Williams was a! lready a legend among filmmakers and film-scoring buffs. But t! he succe ss of Star Wars elevated him to something he probably could have scarcely imagined--bona fide pop-culture icon. Williams's masterful score to the first Star Wars sequel (and the chapter many sci-fi fans cite as the series' most dark, emotionally complex, and satisfying) fleshes out his original character themes with some new ones while painting compelling musical portraits of alien worlds as disparate as the ice planet Hoth and the swampy Dagobah. Notable are the menacing, Prokofiev-inspired "Imperial Theme (Darth Vader's March)"; the noble "Yoda and the Force"; and Hoth's "Battle" cues, which are some of the most dramatic action cues ever. This expanded edition also fleshes out the already familiar themes with new tracks that restore the score to its status as a grand galactic symphony. A richly illustrated booklet is included as well, helping listeners place each piece of music in its proper cinematic context. Of his four attempts at coloring George Lucas's r! ich stellar saga, this remains Williams's most consistent and compelling. --Jerry McCulley Star Wars: The Complete Blu-ray Saga will feature all six live-action Star Wars feature films utilizing the highest possible picture and audio presentation.

Star Wars Episode I: The Phantom Menace
(32 Years Before Episode IV) Stranded on the desert planet Tatooine after rescuing young Queen Amidala from the impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi and his Jedi Master discover nine-year-old Anakin Skywalker, a young slave unusually strong in the Force. Anakin wins a thrilling Podrace and with it his freedom as he leaves his home to be trained as a Jedi. The heroes return to Naboo where Anakin and the Queen face massive invasion forces while the two Jedi contend with a deadly foe named Darth Maul. Only then do they realize the invasion is merely the first step in a sinister scheme by the re-emergent forces of darkne! ss known as the Sith.

Star Wars Episode II: Attac! k of the Clones
(22 Years Before Episode IV) Ten years after the events of the Battle of Naboo, not only has the galaxy undergone significant change, but so have Obi-Wan Kenobi, Padmé Amidala, and Anakin Skywalker as they are thrown together again for the first time since the Trade Federation invasion of Naboo. Anakin has grown into the accomplished Jedi apprentice of Obi-Wan, who himself has transitioned from student to teacher. The two Jedi are assigned to protect Padmé whose life is threatened by a faction of political separatists. As relationships form and powerful forces collide, these heroes face choices that will impact not only their own fates, but the destiny of the Republic.

Star Wars Episode III: Revenge of the Sith
(19 Years before Episode IV) Three years after the onset of the Clone Wars, the noble Jedi Knights have been leading a massive clone army into a galaxy-wide battle against the Separatists. When the sinister Sith unveil ! a thousand-year-old plot to rule the galaxy, the Republic crumbles and from its ashes rises the evil Galactic Empire. Jedi hero Anakin Skywalker is seduced by the dark side of the Force to become the Emperor's new apprentice--Darth Vader. The Jedi are decimated, as Obi-Wan Kenobi and Jedi Master Yoda are forced into hiding. The only hope for the galaxy are Anakin's own offspring.

Star Wars Episode IV: A New Hope
Nineteen years after the formation of the Empire, Luke Skywalker is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of the evil Empire.

Star Wars Episode V: The Empire Strikes Back
Luke Skywalker and his friends have set up a new base on the ice planet of Hoth, but it is not lo! ng before their secret location is discovered by the evil Empi! re. Afte r narrowly escaping, Luke splits off from his friends to seek out a Jedi Master called Yoda. Meanwhile, Han Solo, Chewbacca, Princess Leia, and C-3PO seek sanctuary at a city in the Clouds run by Lando Calrissian, an old friend of Han’s. But little do they realize that Darth Vader already awaits them.

Star Wars Episode VI: Return of the Jedi
(4 years after Episode IV) In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor.

Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking ! for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race throu! gh the Tatooine desert--makes the chariot race in Ben-Hur look! like a Sunday stroll through the park.

Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics.

Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats! young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson

Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme comm! and of all-digital filmmaking. All of this makes Episode II a ! technolo gical milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon

Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid).

It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack! on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids.

But then it all changes.

After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vad! er and face an ultimate showdown with his mentor, but that doe! sn't mat ter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to.

Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once agai! n glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi

Star Wars: The Original Trilogy (Episodes IV - VI) The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan K! enobi (Alec Guinness), Luke finds himself involved in a galact! ic war a gainst the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks.

Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which ! were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David Horiuchi

DVD & Blu-ray Versions of Star Wars


Star Wars Trilogy (Widescreen Edition with Bonus Disc)

Star Wars Trilogy (Widescreen Edition with Bonus Disc)

Star Wars Trilog!  y (Wides creen Edition Without Bonus Disc)

Star Wars Trilogy (Widescreen Edition Without Bonus Disc)
Star Wars Trilogy
Star Wars Trilogy
”Star
Star Wars Prequel Trilogy
”Star
Star Wars: The Prequel Trilogy (Episodes I - III) [Blu-ray]
”Star
Star Wars: The Original Trilogy (Episodes IV - VI) [Blu-ray]
”Star
Star Wars: The Complete Saga (Episodes I-VI) [Blu-ray]
Release Date September 21, 2004 December 6, 2005 November 4, 2008 November 4, 2008 Se! ptember 16, 2011 September 16, 2011 September 16, 2011
Format/Disc # DVD (4 Discs) DVD (3 Discs) DVD (6 Discs) DVD (6 Discs) Blu-ray (3 Discs) Blu-ray (3 Discs) Blu-ray (9 Discs) + 16 page booklet
Blu-ray 3D No No No No No No No
Blu-ray No No No No Yes Yes Yes
DVD Yes Yes Yes Yes No No No
Digital Copy No No No No No No No
Original Theatrical Version No No Yes Yes No No No
Bonus Features Star Wars, Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

Star Wars, Episode V:
Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher

Bonus Disc:
All-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three films
"Empire of Dreams: The Story of the Star Wars Trilogy"

Featurettes: The Legendary Creatures of Star Wars, The Birth of the Lightsaber, The Legacy of Star Wars


Teasers, Trailers, TV spots, Still Galleries

Playable Xbox demo of the new Lucasarts game Star Wars Battlefront
The making of the Episode III videogame

Exclusive preview of Star Wars: Episode III
Star Wars Episode IV:  Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

Star Wars Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Den! nis Mure n, and Carrie Fisher
None Star Wars, Episode I: Commentary by George Lucas and company

Star Wars, Episode II:


From Puppets to Pixels
State of the Art: Previsualization of Episode II

8 deleted scenes with intros

Music Video
Visual Specs Breakdown
12 Web Documentaries
4 Trailers
12 TV Spots
Easter Egg
Still Galleries DVD-ROM links
Star Wars, Episode I: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires, Audio Commentary from Archival Interviews wi! th Cast and Crew

Star Wars, Episode II: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll and Ben Snow, Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode III: Audio Commentary with George Lucas, Rick McCallum, Rob Coleman, John Knoll and Roger Guyett

Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode IV: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren

Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, ! Episode V: Aud io Commentary with George Lucas, Irvin Kershner, Carrie Fisher, Ben Burtt and Dennis Muren

Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode VI: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren, > Audio Commentary from Archival Interviews with Cast and Crew

Same as Star Wars: The Prequel Trilogy (Episodes I-III) [Blu-ray] and Star Wars: The Original Trilogy (Episodes IV-VI) [Blu-ray] plus:

New! Star Wars Archives, Episodes IV-VI: Includes deleted, extended and alternate scenes; prop, maquette and costume turnarounds; matte paintings and concept art; supplementary interviews wi! th cast and crew; and more

Star Wars Documentaries: NEW! Star Warriors (2007, Color, Apx. 84 Minutes)

NEW! A Conversation with the Masters: The Empire Strikes Back 30 Years Later (2010, Color, Apx. 25 Minutes)

NEW! Star Wars Spoofs (2011, Color, Apx. 91 Minutes)

The Making of Star Wars (1977, Color, Apx. 49 Minutes)

The Empire Strikes Back: SPFX (1980, Color, Apx. 48 Minutes)

Classic Creatures: Return of the Jedi (1983, Color, Apx. 48 Minutes)

Anatomy of a Dewback (1997, Color, Apx. 26 Minutes)

Star Wars Tech (2007, Color, Apx. 46 Minutes)

For the first time ever and for a limited time only, the enhanced versions of the Star Wars: Episode IV A New Hope, Star Wars: Episode V The Empire Strikes Back and Star Wars: Episode VI Return of the Jedi will be available individually on DVD. Plus, these 2-Disc DVD's will feature a bonus disc that include! s, for the first time ever on DVD, the original films as seen ! in theat ers in 1977, 1980 and 1983.The 2006 limited-edition two-disc release of The Empire Strikes Back is not only the first time the movie has been officially available by itself on DVD. It marks the first-ever DVD release of Empire as it originally played in theaters in 1980. What does that mean exactly? The film is without the various "improvements" and enhancements George Lucas added for the theatrical rerelease in 1997 as well as the DVD premiere in 2004. So no more of Ian McDiarmid (the Emperor) replacing Clive Revill with slightly revised lines, or Temuera Morrison rerecording of Boba Fett's minimal dialogue.

What do you lose by watching the 1980 version? Dolby Digital 5.1 EX sound, for one thing (only 2.0 Surround here), and digital cleanup. But for home-theater owners, the biggest frustration will be from the non-anamorphic picture. On a widescreen TV, an anamorphically enhanced (16x9) picture at a 2.35:1 aspect ratio will fill the screen with! the exception of small black bars on the top and bottom. The original edition of Empire, however, on a widescreen TV will have large black bars on the top, the bottom, and the sides unless you stretch the picture (and distort it in the process, especially considering the substandard picture quality). If you're watching on a standard square-shaped (4:3) TV, though, you won't notice a difference.

Yes, it's true that serious home-theater lovers who want spectacular sound and anamorphically enhanced picture can always watch the 2004 version of the movie also included in this set. But chances are good that they already picked up the trilogy edition of all three films, so their decision to buy the 2006 two-disc edition depends on how much they want the original film. The official LucasFilm stance is that this is an individual release of the 2004 version of The Empire Strikes Back, and the 1980 version of the film is merely a "bonus feature." Common spe! culation is that the only reason the original versions are see! ing the official light of day at all is to undercut the booming black market for the laserdisc version. Star Wars fans will have to decide for themselves if that's worth the purchase. --David HoriuchiDark Horse Comics is proud to present, in an all-new package, the comicsThe middle film in George Lucas's enormously popular Star Wars science fiction trilogy is a darker, more somber entry, considered by many fans as the best in the series. Gone is the jaunty swashbuckling of the first film; the rebellion led by Princess Leia (Carrie Fisher) suffers before the superior forces of the Empire, young hero Luke Skywalker (Mark Hamill) faces his first defeats as he attempts to harness the Force under the tutelage of Jedi master Yoda (voiced by Frank Oz), and cocky Han Solo (Harrison Ford) is betrayed by former ally Lando Calrissian (Billy Dee Williams). In the tradition of the great serials, this film is left with a hefty cliffhanger. The leap in special effects techno! logy in the three years since Star Wars results in an amazing array of effects, including a breathtaking chase through an asteroid field and a dazzling, utopian Cloud City, where Luke faces the black-clad villain Darth Vader (David Prowse, voice of James Earl Jones) in a futuristic sword fight and learns the secret of his Jedi father. Veteran director Irvin Kershner (The Eyes of Laura Mars, Never Say Never Again) took the directorial reins from creator and producer Lucas and invested the light-speed adventure with deeper characters and a more emphatic sense of danger. The special edition expands Luke's encounter with the Abominable Snowman-esque wampa and establishes the creature as a tangibly more terrifying beast, in addition to refining many of the existing effects. The trilogy is concluded in The Return of the Jedi. --Sean Axmaker Re-release of the Star Wars soundtracks to take place on same day as Lucasfilm launches the original Star ! Wars Trilogy on DVD. With a 30 million dollar advertising c! ampaign, this is going to be a monumental event! All 3 CD packages will include never-before seen photos as collectable fold-out movie posters. Special slipcase housing all three titles also available with exclusive 3D lenticular front card of key art. CDs will include special CD extra screen saver featuring exclusive Star Wars images. CD features all new cover art - same key art featured on DVD release.Includes:
* Episode IV, A New Hope
Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher
* Episode V, The Empire Strikes Back
Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher
* Episode VI, Return of the Jedi
Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

* "Empire of Dreams: The Story of the Star Wars Trilogy," the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the ! making of all three films
* Featurettes: The Legendary Creatures of Star Wars, The Birth of the Lightsaber, The Legacy of Star Wars
* Teasers, trailers, TV spots, still galleries
* Playable Xbox demo of the new Lucasarts game Star Wars Battlefront
* The making of the Episode III videogame
* Exclusive preview of Star Wars: Episode III
Was George Lucas's Star Wars Trilogy, the most anticipated DVD release ever, worth the wait? You bet. It's a must-have for any home theater, looking great, sounding great, and supplemented by generous bonus features.

The Movies

The Star Wars Trilogy had the rare distinction of becoming a cultural phenomenon, a defining event for its generation. On its surface, George Lucas's story is a roll! icking and humorous space fantasy that owes debts to more infl! uences t han one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi knights, the Force, and droids. Over the course of three films--A New Hope (1977), The Empire Strikes Back (1980), and Return of the Jedi (1983)--Luke Skywalker (Mark Hamill), Princess Leia (Carrie Fisher), and the roguish Han Solo (Harrison Ford) join the Rebel alliance in a galactic war against the Empire, the menacing Darth Vader (David Prowse, voiced by James Earl Jones), and eventually the all-powerful Emperor (Ian McDiarmid). Empire is generally considered the best of the films and Jedi the most uneven, but all three are vastly superior to the more technologically impressive prequels that followed, Episode I, The Phantom Menace (1999) and Episode II, Attack of the Clones (2002).

How Are the Picture and Sound?


Thanks to a new digital transfer, you've never seen C-3PO glow so golden, and Darth Vader's helmet is as black as the Dark Side.

In a word, spectacular. Thanks to a new digital transfer, you've never seen C-3PO glow so golden, and Darth Vader's helmet is as black as the Dark Side. And at the climactic scene of A New Hope, see if the Dolby 5.1 EX sound doesn't knock you back in your chair. Other audio options are Dolby 2.0 Surround in English, Spanish, and French. (Sorry, DTS fans, but previous Star Wars DVDs didn't have DTS either.) There have been a few quibbles with the audio on A New Hope, however. A few seconds of Peter Cushing's dialogue ("Then name the system!") are distorted, and the music (but not the sound effects) is reversed in the rear chan! nels. For example, in the final scene, the brass is in the fro! nt right channel but the back left channel (from the viewer's perspective), and the strings are in the left front and back right. The result feels like the instruments are crossing through the viewer.

What's Been Changed?
The rumors are true: Lucas made more changes to the films for their DVD debut. Hayden Christensen (Anakin Skywalker) has been added to a scene in Jedi, Ian McDiarmid (the Emperor) replaces Clive Revill with slightly revised lines in Empire, Temuera Morrison has rerecorded Boba Fett's minimal dialogue, and some other small details have been altered. Yes, these changes mean that the Star Wars films are no longer the ones you saw 20 years ago, but these brief changes hardly affect the films, and they do make sense in the overall continuity of the two trilogies. It's not like a digitized Ewan McGregor has replaced Alec Guiness's scenes, and the infamous changes made for the 1997 special-edition versions were much more intrusive! (of course, those are in the DVD versions as well).

How Are the Bonus Features?

Toplining is Empire of Dreams: The Story of the Star Wars Trilogy, a 150-minute documentary incorporating not only the usual making-of nuts and bolts but also the political workings of the movie studios and the difficulties Lucas had getting his vision to the screen (for example, after resigning from the Directors' Guild, he lost his first choice for director of Jedi: Steven Spielberg). It's a little adulatory, but it has plenty to interest any fan. The three substantial featurettes are "The Characters of Star Wars" (19 min.), which discusses the development of the characters we all know and love, "The Birth of the Lightsaber" (15 min.), about the creation and evolution of a Jedi's ultimate wea! pon, and "The Force Is with Them: The Legacy of Star Wars" (15 min.), in which filmmakers such as Peter Jackson, Ridley Scott, and James Cameron talk about how they and the industry were affected by the films and Lucas's technological developments in visual effects, sound, and computer animation.

The bonus features are excellent and along the same lines as those created for The Phantom Menace and Attack of the Clones. Each film has a commentary track, recorded by Lucas, Ben Burtt (sound design), Dennis Muren (visual effects), and Carrie Fisher, with Irvin Kershner joining in on the film he directed, The Empire Strikes Back. Recorded separately and skillfully edited together (with supertitles to identify who is speaking), the tracks lack the energy of group commentaries, but they're enjoyable and informative, with a nice mix of overall vision (Lucas), technical details (Burtt, Muren, Kershner), and actor's perspective (Fisher). Interestingly, they discuss some of the 1997 changes (Mos Eisley creatures, the new Jab! ba the Hutt scene) but not those made for the DVDs.

There's also a sampler of the Xbox game Star Wars: Battlefront, which lets the player reenact classic film scenarios (blast Ewoks in the battle of Endor!); trailers and TV spots from the films' many releases; and a nine-minute preview of the last film in the series, Episode III, Revenge of the Sith (here identified by an earlier working title, The Return of Darth Vader). Small extra touches include anamorphic widescreen motion menus with dialogue, original poster artwork on the discs, and a whopping 50 chapter stops for each film.

"The Force Is Strong with This One"
The Star Wars Trilogy is an outstanding DVD set that lives up to the anticipation. There will always be resentment that the original versions of the films are not available as well, but George Lucas maintains that these are the versions he always wanted to make. If fans are able to put this debate aside, they can enj! oy the adventures of Luke, Leia, and Han for years to come. --David Horiuchi
By the end of the 1970s, John Williams was already a legend among filmmakers and film-scoring buffs. But the success of Star Wars elevated him to something he probably could have scarcely imagined--bona fide pop-culture icon. Williams's masterful score to the first Star Wars sequel (and the chapter many sci-fi fans cite as the series' most dark, emotionally complex, and satisfying) fleshes out his original character themes with some new ones while painting compelling musical portraits of alien worlds as disparate as the ice planet Hoth and the swampy Dagobah. Notable are the menacing, Prokofiev-inspired "Imperial Theme (Darth Vader's March)"; the noble "Yoda and the Force"; and Hoth's "Battle" cues, which are some of the most dramatic action cues ever. This expanded edition also fleshes out the already familiar themes with new tracks that restore the score to its status as a grand galactic symphony. A richly illustrated booklet is included as well,! helping listeners place each piece of music in its proper cinematic context. Of his four attempts at coloring George Lucas's rich stellar saga, this remains Williams's most consistent and compelling. --Jerry McCulley This framed film cell presentation features a cell of hand selected original 35mm film from the movie Star Wars Episode V: The Empire Strikes Back. The film cell is mounted with mini posters/photos from the movie and a nameplate engraved with the title and limited edition number. They are set on an acid free, double matted mounting board and framed in a beautiful black ash effect frame. This highly collectible film cell presentation is limited in number and comes with a certificate guaranteeing the authenticity of the cells. The image shown of the presentation is an example of what the film cell will look like. Please note that every set is unique as they are hand picked from the original film.

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How She Move is an energetic, gritty and ultimately inspiring coming of age tale about a gifted young woman who defies all the rules as she step dances her heart out to achieve her dreams. Featuring a fresh cast of new discoveries, this Sundance Film Festival hit marks the feature film debut of the electric RUTINA WESLEY, with street-style step sequences by top choreographer Hi Hat and special appearances by R&B singer-songwriter Keyshia Cole and comedian DeRay Davis. Bursting with raw talent and intelligence, Raya Green (WESLEY), the daughter of Jamaican immigrants, has always been the family’s one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when sh! e was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape.Dare you to keep your feet still while watching How She Move, a rip-roaring salute to Jamaican-influenced step-dancing with an infectious backbeat. The film will appeal to fans of other dance tributes like Stomp the Yard but also to fans of High School Musical, Bring It On and other teen let's-put-on-a-show empowerment films. The story is set in Toronto's thriving Caribbean-immigrant community, though there are nods to American 'hoods as well. While the drama is a bit short on plot, there's no shortage of action or star power. The film's lead, the dynamic Rutina Wesley, plays Raya Green, an honors student whose life is shattered by the death of her sister, and by her unwilling return from her private school to her urban neighborhood. But young Raya's spirit is indo! mitable, as shows the tough neighborhood boys she's every bit ! a dance force to be reckoned with as they are. Her dancing gives this film its sweet patina of grrl power on top of its fabulous choreographed moves. Also don't miss the great soundtrack, featuring Missy Elliott and Busta Rhymes. How she move? Pretty darn great. --A.T. HurleyFrom producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the ! Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provid! es adorableness, but the moviegoer is never convinced that he ! is anyth ing but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimSay "I do" to "madcap comedy" (Box Office) and "exuberant farce" (Film Daily) in this feel-good romp about one groom, two wives and one delightfully daffy honeymoon! Starring Doris Day, James Garner and Polly Bergen, Move Over, Darling is "a funny, funny film!" (Hollywood Citizen News) that's the perfect union of "humor, romance and heart" (The Hollywood Reporter)!

Five years after losing his first wife Ellen (Day) at sea, Nick (Garner) is finally ready to have her declared legally dead, get remarried and settle down to a peaceful second marriage! But wedded bliss becomes marital mayhem when Ellen turns up alive -- with a hilarious, hair-brained scheme to win back her husband, put a stop ! to the honeymoon and give first love a second chance-at happily-ever-after!Doris Day, the perky, chaste adult star of an odd collection of winking 1960s sex comedies, takes the Irene Dunne role in this remake of the comedy classic My Favorite Wife. As the survivor of a five-year ordeal on a desert island, she returns home the very day her husband has remarried. James Garner, trading his Maverick impish humor and con man cool for a mugging performance of double takes and pratfalls, is her overjoyed husband who is too cowardly to tell his neurotic bride (Polly Bergen). All of this, naturally, leads to a ridiculously complicated plot that combines door-slamming sex farce with mistaken identities (Day poses as a Swedish masseuse) and a goofy sped-up car chase. Chuck Connors, who costars as Day's hunky, he-man island mate "Adam," leads a topnotch supporting cast that includes sassy Thelma Ritter as Garner's no-nonsense mother, Don Knotts as a nervous shoe salesman ! enlisted by Day to impersonate Adam, Fred Clark at his indigna! nt best, and John Astin and Pat Harrington in early roles. Edgar Buchanan practically steals the film as a gruff, irascible judge who growls through the legal circus that forms the film's chaotic climax. The cast for the most part rises above the tepid script and bland direction and Day sings two songs. Interestingly, this remake was originally developed for Marilyn Monroe and Dean Martin as the never completed Something's Got to Give. --Sean Axmaker

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Marvel Heroes Collection (Daredevil/Elektra/X-Men/ X2/X-Men 3: The Last Stand/ Fantastic Four & Fantastic Four: Rise of the Silver Surfer)

  • Disc 1: X-MEN; Disc 2: X2 X-MEN UNITED; Disc 3: X-MEN 3:THE LAST STAND; Disc 4: FANTASTIC FOUR;
Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the ! preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to! live a normal family life. (That, and whether they'll ever r! eally ge t married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer… just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

View Stills from the Blu-Ray's Exclusive Games (Click for larger image):





Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more! interested in a series of cosmic phenomena occurring around t! he earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be ab! le to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

Fantastic Four: Rise of the Silver Surfer Extras


View exclusive clips (including interviews with Fantastic Four Creator Stan Lee and Screenwriter Don Payne), download AIM icons and wallpapers and browse the extensive photo gallery at our Fantastic Four: Rise of the S! ilver Surfer minisite.









Beyond Fantastic Four: Rise of the Silver Surfer

Fantastic Four Toys & Games

Fantastic Four Paperback Series

Fantastic Four Comics & Graphic Novels


Fantastic Four Video Games

Fantastic Four Posters, Stickers and More

Fantastic Four Apparel

More of the Four on DVD


Fantastic Four Extended Cut

The Fantastic Four Animated Series

Fantastic Four on Blu-Ray



Stills from Fantastic Four: Rise of the Silver Surfer







Fantastic Four

Jessica Alba, Chris Evans and Michael Chiklis head a sexy, star-powered cast in this explosive adventure about a quartet of flawed, ordinary human beings who suddenly find themselves with extraordinary abilities.

After exposure to cosmic radiation, four astronauts become the most remarkable, if dysfunctional, superheroes of all time. Unfortunately, the mission's ! sponsor has also been transformed ? into the world's most lethal supervillain ? setting the stage for a confrontation of epic proportions. Packed with nonstop action, big laughs and awesome special effects, Fantastic 4 is "powerful fun" (The Baltimore Sun) from start to finish! 

Fantastic Four: Rise of the Silver Surfer

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!

Daredevil

For Daredevil, justice is blind, and for the guilty?there's hell to pay! Ben Affleck and Jenni! fer Garner ignite dangerous sparks and nonstop thrills in thi! s "dazzl ing action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.


Fantastic Four

Marvel Comics' first family of superherodom, the Fantastic Four, hits the big screen in a light-hearted and funny adventure. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd, Horatio Hornblower) has to enlist the financial and intellectual help from former schoolmate and rival Victor Von Doom! (Julian McMahon, Nip/Tuck) in order to pursue outer-space research into human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis, The Shield); his former lover, Sue Storm (Jessica Alba, Dark Angel, Sin City), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans, Cellular). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed?--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation.

Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterization isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and! what we will do with them" churn). But it's a good-looking c! ast, and original comic-book cocreator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi

Fantastic Four: Rise of the Silver Surfer

Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a ! series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor! , and the most angst they suffer is whether Sue and Reed will! ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

Daredevil

Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, supe! renhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are abo! ut to be married when a mysterious alien... the Silver Surfer.! .. crash es the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also! Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzlin! g, but the Surfer looks too metallic, more like a skyriding T-! 1000 rob ot. --David Horiuchi

On the DVD
Are you getting tired of big movies initially coming out on substandard DVDs only to be released in better versions later? No such worries with the Power Cosmic Edition of Fantastic Four: Rise of the Silver Surfer, which delivers the goods. The double-sided disc 1 has both widescreen and full-screen editions of the movie, with two commentary tracks. On the first, director Tim Story talks about FF inside jokes and what had to be cut out of the movie. The second combines producer Avi Arad (has anyone recorded more superhero DVD commentaries?), screenwriter Don Payne, and editors Peter S. Elliot and William Hoy (only the last two sound like they were actually in the room at the same time) covering some of the same ground: comic-book references, special effects, etc. On disc 2 are five extended/deleted scenes (almost 10 minutes total) with commentary by Story, including a longer title sequence and some comic r! elief. "Family Bonds" is a 46-minute "fly on the wall" documentary that follows the crew as they scout locations, test early special effects, and then work with the cast. There's a multi-angle look at the Fantasticar and five featurettes (some of which are more substantial than you'd expect for that term). Topics include the development of the Fantasticar (10 minutes), the Surfer effects (15 minutes), the history of the Surfer in comic books (39 minutes, with interviews of Stan Lee, Jim Starlin, and Ron Marz, and Lee describes himself as his own biggest fan!), the Thing suit (11 minutes), and the music score (four minutes). --David Horiuchi

Fantastic Four: Rise of the Silver Surfer Extras


View exclusive clips (including interviews with Fantastic Four Creator Stan Lee and Screenwriter Don! Payne), download AIM icons and wallpapers and browse the exte! nsive ph oto gallery at our Fantastic Four: Rise of the Silver Surfer minisite.










Beyond Fantastic Four: Rise of the Silver Surfer

Fantastic Four Toys & Games

Fantastic Four Paperback Series

Fantastic Four Comics & Graphic Novels


Fantastic Four Video Games

Fantastic Four Posters, Stickers and More

Fantastic Four Apparel

More of the Four on DVD


Fantastic Four Extended Cut

The Fantastic Four Animated Series

Fantastic Four on Blu-Ray



Stills from Fantastic ! Four: Rise of the Silver Surfer







Disc 1 Side A: FANTASTIC FOUR: RISE OF THE SILVER SURFER P&S Disc 1 Side B: FANTASTIC FOUR: RISE OF THE SILVER SURFER WS

Disc 2: FANTASTIC FOUR WS

  • Disc 1: X-MEN WS
  • Disc 2: X2 X-MEN UNITED SE WS
  • Disc 3: X-MEN 3:THE LAST STAND WS
  • Disc 4: FANTAS! TIC FOUR WS
  • Disc 5: FANTASTIC FOUR 2 WP
  • Disc 6: DAREDEVIL DC WS
  • Disc 7: ELEKTRA WS
  • Disc 8: Fantastic Four: World’s Greatest Heroes Volume 1 P&S

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