Minnie Rose Women's Sequin Fly Cardigan, Black Beans, Small

• Draped front
• Chiffon lining

ONeill The So Fly Sweater,Sweaters for Women:

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The Devil and Daniel Johnston Poster B 27x40 Daniel Johnston Louis Black Bill Johnston

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Devil and Daniel Johnston Style B 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

Daniel Johnston is a manic-depressive genius singer/songwriter/artist, revealed in this portrait of madness, creativity and love. The Devil and Daniel Johnston is a stunning portrait of a musical and artistic genius who nearly slipped away. Director Jeff Feurzeig exquisitely depicts a perfect example of brilliance and madness going hand in hand with subject Daniel Johnston. As an artist suffering from manic depression with delusions of grandeur, Daniel Johnston’s wild fluctuations, numerous downward spirals, and periodic respites are exposed in! this deeply moving documentary.This stunning collection of DANIEL JOHNSTON songs recorded by some of his biggest fans should prove to awaken the music world to just how special (and actually alive) he is - contributors include TEENAGE FANCLUB w/ JAD FAIR, EELS, TV ON THE RADIO, BRIGHT EYES, BECK, SPARKLEHORSE, FLAMING LIPS, TOM WAITS, CALVIN JOHNSTON, and more!Here we have a flawed but interesting introduction to the songs and recordings of one of the twentieth century’s great, maudlin pop musicians, Texas-based Daniel Johnston. This double CD has a pack of alt-rock superstars--among them Beck, Tom Waits, Vic Chesnutt, Bright Eyes and Calvin Johnson--tackling Johnston’s idiosyncratic and visionary songs, while the other disc has the originals, in the same order. With the exception of TV on the Radio’s Ubu-ish take on "Walking the Cow" and Waits' over the top version of "King Kong," there’s not much to say about the covers CD. Sincere indie-rock takes on Johnston's ! amazingly strong, emotionally intimate songs? How obvious and ! boring i s that? Why have the work of one vocally eccentric artist interpreted by a bunch of wimpy dudes? However, as a sampler of his work, disc two is exemplary, focusing primarily as it does on his '80s home recordings. If you look at this as a great mixtape that comes with some silly covers, you’ll enjoy it plenty. --Mike McGonigalHe is erratic, moody, adolescent, and unsettling, just as he is strikingly brilliant, and all depictions entwine on this collection that plucks from Daniel Johnston's most memorable work throughout a quarter-century of bare-bones recording. While his helium-pitched voice can often border on acquired taste territory, Johnston, who suffers from bipolar disorder, writes both gripping melodies and cutting, cunning lyrics--often about failed love, life's ambiguity and his passion for the Beatles and comic book heroes. Any Johnston follower might choose 21 different selections to represent such a catalog, but this package--culled mostly from his '80! s songbook--is both symbolic and inclusive, including a pair of chord organ grinders that are among his most familiar: the childlike "Casper the Friendly Ghost" and the wistful "Speeding Motorcycle." Johnston's raw vulnerability shines most on "Never Before Never Again," on which he howls about a former girlfriend, and the fragmented and demented "Funeral Home," where he contemplates his last car ride (to the tune of Bruce Springsteen's "Cadillac Ranch"). Welcome to My World is ideal for any newcomers to Johnston's music, provided they are willing to peel away his torment and contemplate his true genius. --Scott HolterHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed! and public domain content is being added. We believe books s! uch as t his represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Documentary films about mental illness.The Devil and Daniel Johnston reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

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Hush, Hush

• ISBN13: 9781416989424
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Criminal profiler Ivy Dunlap is an expert at unraveling the psyches of the most dangerous men alive. She understands the killer instinct. But even Ivy has her limits. And the Madonna Murderer will test them...

"A deeply engrossing read, Hush delivers a creepy villain, a chilling plot, and two remarkable investigators." (Lisa Gardner)

Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detailâ€"and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family me! mber, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.

The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.Inside the closed commun! ity of Borough Park, where most Chassidim live, the rules of l! ife are very clear, determined by an ancient script written thousands of years before down to the last detail-and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detail-and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best ! friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.For Nora Grey, romance was not part of the plan. At least, not until Patch came along. With his easy smile and probing eyes, Nora is drawn to him against her better judgment. But after a series of terrifying encounters, Nora’s not sure who to trustâ€"she can’t decide whether she should fall into Patch’s arms or run and hide from him. And when she tries to seek some answers, she finds herself near a truth more unsettling than any feeling Patch evokes. For Nora stands amid an ancient battle b! etween the immortal and those who have fallenâ€"and choosing t! he wrong side will cost her life.

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D.O.A. - Dead or Alive

• Four gorgeous women are invited to a remote island to participate in a fighting tournament. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019796941 UPC: 796019796941 Manufacturer No: 79694

Four gorgeous women are invited to a remote island to participate in a fighting tournament.Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly (My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Ho! lly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. --Paul Gaita

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Fix, Freeze, Feast: The Delicious, Money-Saving Way to Feed Your Family

• ISBN13: 9781603427265
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Buy groceries in bulk, prepare family-friendly dishes, package in meal-sized freezer bags, then stock the freezer with ready-to-defrost-and-serve tasty homemade meals. This is the winning system of Fix, Freeze, Feast, a cookbook that has already attracted an enthusiastic following among busy families.

Millions of shoppers save money by buying groceries in bulk - trays of boneless chicken breasts, pairs of flank steaks, flats of ripe tomatoes. But savings can quickly turn to losses if those bulk quantities spoil in the refrigerator or lie forgotten - unlabeled and unrecognizable under lays of ice crystals - in the back of the freezer.

In the new paperback edition of Fix, Freeze, ! Feast, authors Kati Neville and Lindsay Tkacsik offer a complete system for taking full advantage of bulk purchasing and advance preparation to ensure no food is ever wasted. They show how easy it is to get organized, prepare ahead, and be ready to put healthful, satisfying meals on the dinner table (or breakfast table, or even brunch table!) at a moment's notice. Theirs is a cookbook price-conscious shoppers will love and warehouse club members shouldn't be without.

Cooks will find 125 delicious, healthful recipes to choose from Each one includes directions for dividing, preparing, and storing raw ingredients; a second set of simple direction is included for thawing, cooking, and enjoying the food. Designed for the way people cook today, Fix, Freeze, Feast meals are lighter and fresher than traditional bulk-cooking recipes, with a focus on simple stews and stir-fries, quick grilled or broiled main courses, and popular ethnic meals such as Beef Fajitas and! Cashew Chicken Stir-Fry. Fix, Freeze, Feast, also incl! udes rea dy-to-bake cookie doughs, soups, side dishes, smoothies, and snacks. With these innovative techniques and recipes, dinner is always in the freezer!

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Callas Forever

• Callas Forever - Varios Internacional Brazil Import

In this loving tribute to Maria Callas, Zeffirelli imagines what could have happened at the end of her life at the age of 53.Franco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film, about the last few months of the great soprano's life in 1977, moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.

In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his! imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he will film her greatest roles, using her recordings as soundtracks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.

But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Sc! arpia (Justino Diaz) shouting savagely "muori dannato, muori, ! muori, m uori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanInternationally acclaimed director Franco Zeffirelli (Romeo and Juliet, Hamlet) beautifully recreates the magic, passion and artistry of the opera diva Maria Callas, known as "the voice of the century." In this loving tribute to his longtime friend, Zeffirelli imagines what could have happened at the end of Callas' life close to her death at the age of 53. Popular French actress Fanny Ardant perfectly fits the role of the temperamental diva, capturing all the fiery intensity of the legend on and off the stage. Oscar-winner Jeremy Irons shines as the diva's former manager who persuades her to re-launch her career, despite her fading powers. A unique, rare gem of a film featuring actual sound recordings of Callas in performance, CALLAS FOREVER makes a lasting impact as a stunning human portrayal of one of the gre! atest artists of our time.Franco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film, about the last few months of the great soprano's life in 1977, moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.

In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he w! ill film her greatest roles, using her recordings as soundtrac! ks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.

But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Scarpia (Justino Diaz) shouting savagely "muori dannato, muori, muori, muori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanCD > POPULAR MUSIC > ROCK

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Easy

• Jamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed jerk magnet. After determining not to spend the rest of her life as the easy chick, she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O Byrne and Lost s Naveen Andrews), only to discover that love is anything but easy. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 025192

Close your eyes and imagine the smell of fresh bread wafting under your nose. Are you smiling yet? One of life's greatest pleasures is sinking your teeth into a buttery slice of crusty bread, still warm from the oven. And yet there is, especially in the United States, almost a universal carelessness about the quality and taste of the bread that we eat on a daily basis. People eat the most appalling trash imaginable, and accept it as a matter of course. The normal bread in an American household is a pasty white ! bread that is more air than food, devoid of nutrients, and stuffed with chemicals so it has a longer shelf life. And it tastes bad. The recipes in this book make a homemade bread with complex flavor, no harsh yeast taste, and they require no kneading or hard work. You can have fresh, delicious bread every day, without fuss or muss.Close your eyes and imagine the smell of fresh bread wafting under your nose. Are you smiling yet? One of life's greatest pleasures is sinking your teeth into a buttery slice of crusty bread, still warm from the oven.

And yet there is, especially in the United States, almost a universal carelessness about the quality and taste of the bread that we eat on a daily basis. People eat the most appalling trash imaginable, and accept it as a matter of course. The normal bread in an American household is a pasty white bread that is more air than food, devoid of nutrients, and stuffed with chemicals so it has a longer shelf life. And it ! tastes bad.

The recipes in this book make a homemad! e bread with complex flavor, no harsh yeast taste, and they require no kneading or hard work. You can have fresh, delicious bread every day, without fuss or muss.Close your eyes and imagine the smell of fresh bread wafting under your nose. Are you smiling yet? One of life's greatest pleasures is sinking your teeth into a buttery slice of crusty bread, still warm from the oven.

And yet there is, especially in the United States, almost a universal carelessness about the quality and taste of the bread that we eat on a daily basis. People eat the most appalling trash imaginable, and accept it as a matter of course. The normal bread in an American household is a pasty white bread that is more air than food, devoid of nutrients, and stuffed with chemicals so it has a longer shelf life. And it tastes bad.

The recipes in this book make a homemade bread with complex flavor, no harsh yeast taste, and they require no kneading or hard work. You can have fresh, delicious bread ever! y day, without fuss or muss.Easy. At the ripe young age of fourteen Jessica has discovered that getting the attention she wants is just that -- easy. It's not the attention of a divorced mother who spends all of her time grieving over a broken marriage. Nor is it that of a father with a new girlfriend who's moving on with his life. It's certainly not the attention of a clueless older sister or a best friend since grade school who still acts like she's in grade school. No. For some reason being noticed by her friends and family seems to have become almost impossible. Boys -- and men -- are a different matter altogether. With the right clothes and attitude, Jessica realizes that she can get all the male attention she wants.

What she doesn't realize is how easy it is to get more than you're ready for.

In this compelling and often harrowing novel for teen readers, first-time author Kerry Cohen Hoffmann delves into the mind of a teenage girl as she attempts to replace ! the shifting relationships with friends and family with sexual! explora tion. With candid storytelling rooted in years of personal experience, Mrs. Hoffmann offers a searing look at how easy it is to take a wrong turn in search for the right answers.Easy. At the ripe young age of fourteen Jessica has discovered that getting the attention she wants is just that -- easy. It's not the attention of a divorced mother who spends all of her time grieving over a broken marriage. Nor is it that of a father with a new girlfriend who's moving on with his life. It's certainly not the attention of a clueless older sister or a best friend since grade school who still acts like she's in grade school. No. For some reason being noticed by her friends and family seems to have become almost impossible. Boys -- and men -- are a different matter altogether. With the right clothes and attitude, Jessica realizes that she can get all the male attention she wants.

What she doesn't realize is how easy it is to get more than you're ready for.

In this compelling an! d often harrowing novel for teen readers, first-time author Kerry Cohen Hoffmann delves into the mind of a teenage girl as she attempts to replace the shifting relationships with friends and family with sexual exploration. With candid storytelling rooted in years of personal experience, Mrs. Hoffmann offers a searing look at how easy it is to take a wrong turn in search for the right answers.Easy. At the ripe young age of fourteen Jessica has discovered that getting the attention she wants is just that -- easy. It's not the attention of a divorced mother who spends all of her time grieving over a broken marriage. Nor is it that of a father with a new girlfriend who's moving on with his life. It's certainly not the attention of a clueless older sister or a best friend since grade school who still acts like she's in grade school. No. For some reason being noticed by her friends and family seems to have become almost impossible. Boys -- and men -- are a different matter altoge! ther. With the right clothes and attitude, Jessica realizes th! at she c an get all the male attention she wants.

What she doesn't realize is how easy it is to get more than you're ready for.

In this compelling and often harrowing novel for teen readers, first-time author Kerry Cohen Hoffmann delves into the mind of a teenage girl as she attempts to replace the shifting relationships with friends and family with sexual exploration. With candid storytelling rooted in years of personal experience, Mrs. Hoffmann offers a searing look at how easy it is to take a wrong turn in search for the right answers.Jamie a sharp-witted sexy young woman is a self-described jerk magnet. she makes a living as a namer - she gives products their identity. But shes very confused about her own. When she finds herself in a love triangle with two seemingly decent men she struggles to make the right choice. Studio: Uni Dist Corp. (mca) Release Date: 12/26/2005 Starring: Marguerite Moreau Emily Deschanel Run time: 99 minutes Rating: R Director: Jane Weinstoc! k

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B.A.P.S.

• Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sRunning Time: 91 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Age: 794043692529 UPC: 794043692529 Manufacturer No: N6925

Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sWhat was director Robert Townsend thinking? His movies, such as The Five Heartbeats and The Hollywood Shuffle, are sweet, enjoyable little pictures. But this "comedy" about two flashy Georgia women hoping to find money and men in Los Angeles is stereotypical, unfunny, embarrassing, and boring. Halle Berry and newcomer Natalie Desselle are trapped in pitiful roles playing against the disti! nguished but miscast Martin Landau and a wasted Ian Richardson. B.A.P.S., by the way, stands for black American princesses. There are better urban comedies out there, the badly named Booty Call for one. --Rochelle O'Gorman

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Papa ¿ Porque te fuiste? (Hard Goodbyes: My Father)(Dhiskoli Apoheretismi: O Babas Mou) NTSC / Region 1 & 4 Import-Latin America

• Death of a Parent
• Fantasy Life

Elias , un niño de 10 años, que vive en Atenas, hace un pacto con su padre para ver el primer aterrizaje del hombre en la luna. Los dos se cuentan historias sobre Julio Verne y de los vuelos hechos en su imaginacion. Ellos son hombres de aventuras y exploradores. Pero las barras de chocolate dejadas por un padre ausente a lo largo de muchos viajes de trabajo se han acumulado, mientras la cuenta regresiva para el aterrizaje a la luna ha iniciado. Es el año de 1969. Una nave espacial ha despegado y el hombre ha dejado el planeta Tierra. Tambien el padre de Elias. Es la imaginacion y el amor que comparten al contar historias lo que permite a Elias trascender y superar lo inimaginable. Esta es una pelicula como tributo a nuestros padres. Penny Panayotopoulou's debut feature, Dhiskoli Apoheretismi: O Babas Mou (Hard Goodbyes: My Father), is a drama about an Athenian family coping with a death. In May 1969, ten-year old Elias (Giorgos Karayannis) is obsessed with the possibility of man landing on the moon and dreams up outrageous fantasy lives. When his father dies unexpectedly, he creates an elaborate fantasy that allows the father to stay alive in the boy's mind. His older brother and his mother have their own techniques for dealing with the tragedy. Hard Goodbyes: My Father was screened at the Locarno Film Festival, where Karayannis was awarded the Best Actor citation.

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The Hangover (Rated Single-Disc Edition)

• PLAYBACK ON THIS DVD IS PERFECT!

From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his! frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat pr! edictable, the comedic moments are not--though by halfway thou! gh the t rip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip ! that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, i! rresponsible, and uncensored. Downey is Peter, a straitlaced n! ew fathe r-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert ! Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Pet! er will be able to resist strangling Ethan with his own scarf,! or wors e. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2The Hangover (2009 Rated R) A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him. Director: Todd Phillips Writers: Jon Lucas, Scott Moore Stars: Zach Galifianakis, Bradley Cooper and Justin Bartha DVD in "Like New" Has been watched once and works Perfectly! Why spend $19.00 for it brand New when you can Save BIG by buying the same dvd gently used. In Like New Condition!If you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The sta! ndout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

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Capezio Daisy 205 Ballet Shoe (Toddler/Little Kid),Ballet Pink,12.5 M US Little Kid

• See size chart to verify correct sizing

Capezio Daisy ballet pink ballet features premium leather, cotton daisy print lining, ID tag and anchored drawstring and attached elastic straps. Sizing: Order same as street shoe.

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Falling Down

• Condition: New
• Format: DVD
• Widescreen; Closed-captioned; Color; Dolby; DVD; NTSC

A man who has lost his job and his marriage takes a walk through the troubled urban landscape of Los Angeles on a hot, destructive day, with a retiring police officer trying to anticipate the next stop.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-FEB-2005
Media Type: DVDThis film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut, and short-sleeved white shirt, gets stuck in traffic one day near downtown L.A. and proceeds to just walk away from his car--and then lose it emotionally. Ev! eryone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across L.A. (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine

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Good

• GOOD (DVD MOVIE)

When John Halder’s (Viggo Mortensen) latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich’s horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

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Best in Show

• The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock

Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker ! Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once "Hollywood Now" anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationships and brittle dreams play out in unexpected ways...Christo! pher Guest (director of A Mighty Wind, Best in Show, and Waiting for Guffman) and his sparkling troupe of improvisational satirists return with a sardonic look at C-list (or perhaps D- or E-list) actors driven to the brink of madness by the possibility of winning an Academy Award. Marilyn Hack (the ever-brilliant Catherine O'Hara, Beetlejuice), a modestly talented character actress, hears of an Internet rumor that she might be nominated for the dubious movie she's currently making, Home for Purim. Soon buzz is flying about all the rest of the cast (which includes Harry Shearer and Parker Posey) and everyone starts clawing for as much attention as they can get while appearing modest and unambitious. Despite the movie's target being so familiar to them, For Your Consideration is not Guest & Co.'s best work--in an effort to give everyone in the huge cast face time, few of the characters gain any comic traction or have a particularly engaging storyline; the mockery stays on a fairly surface level. Nonethe! less, some of those surfaces are pretty funny: Fred Willard and Jane Lynch are devastating as a pair of predatory infotainment hosts, while Jennifer Coolidge (Legally Blonde) turns in a daffy and surreal performance. Throughout, the movie's anchor is O'Hara; the way her character is virtually crushed by the hype has a surprising richness and depth. She remains a cinematic treasure. --Bret FetzerA new comedy from the director of Waiting for Guffman, Best in Show and a Mighty Wind. Special Features includes Commentary by Co-Writers Christopher Guest and Eugene Levy - Over 30 minutes of Hilarious Bonus Material - Home for Purim Poster Gallery - Theatrical Trailer.A blue ribbon look at dog show participants and the pooches who love them.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format ! of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye. --Bret Fetzer

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Breakfast at Tiffany's: A Short Novel and Three Stories (Modern Library)

• ISBN13: 9780679600855
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In November, 1959, the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman), famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener), writer of the soon-to-be published To Kill a Mockingbird, Capote sets out to investigate, winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears, the writing of "In Cold Blood," a book that will change the course of American literature, takes a drastic toll on Capote, changing him in ways he never imagined. Stellar performances from Hoffman and Keener, as well as Academy Awar! d® winner Chris Cooper (Adaptation) are why critics are calling Capote a "must-see movie."Bolstered by an Oscar®-caliber performance by Philip Seymour Hoffman in the title role, Capote ranked highly among the best films of 2005. Written by actor/screenwriter Dan Futterman and based on selected chapters from the biography by Gerald Clarke, this mercilessly perceptive drama shows how Truman Capote brought about his own self-destruction in the course of writing In Cold Blood, the "nonfiction novel" that was immediately acclaimed as a literary milestone. After learning of brutal killings in rural Holcomb, Kansas, in November 1959, Capote gained the confidence of captured killers Perry Smith (Clifton Collins, Jr.) and Dick Hickock (Mark Pellegrino) in an effort to tell their story, but he ultimately sacrificed his soul in the process of writing his greatest book. Hoffman transcends mere mimicry to create an utterly authentic, psychologically torment! ed portrait of an insincere artist who was not above lying and! manipul ation to get what he needed. Bennett Miller's intimate direction focuses on the consequences of Capote's literary ambition, tempered by an equally fine performance by Catherine Keener as Harper Lee, Capote's friend and the author of To Kill a Mockingbird, who served as Capote's quiet voice of conscience. Spanning the seven-year period between the Kansas murders and the publication of In Cold Blood in 1966, Capote reveals the many faces of a writer who grew too close to his subjects, losing his moral compass as they were fitted with a hangman's noose. --Jeff ShannonOn November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.

Five years, four months and twenty-nine days later, on April 14, 1965, Richard Eugene Hickock, aged thirty-three, and Perry Edw! ard Smith, aged thirty-six, were hanged from the crime on a gallows in a warehouse in the Kansas State Penitentiary in Lansing, Kansa.

In Cold Blood is the story of the lives and deaths of these six people. It has already been hailed as a masterpiece.In Cold Blood was a groundbreaking work when released in 1966. With it, author Truman Capote contributed to a style of writing in which the reporter gets so far inside the subject, becomes so familiar, that he projects events and conversations as if he were really there. The style has probably never been accomplished better than in this book. Capote combined painstaking research with a narrative feel to produce one of the most spellbinding stories ever put on the page. Two two-time losers living in a lonely house in western Kansas are out to make the heist of their life, but when things don't go as planned, the robbery turns ugly. From there, the book is a real-life look into murder, prison, and! the criminal mind.A landmark collection that brings together ! Truman C apote’s life’s work in the form he called his “great love,” The Complete Stories confirms Capote’s status as a master of the the short story. This first-ever compendium features a never-before-published 1950 story, “The Bargain,” as well as an introduction by Reynolds Price. Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.Capote Famed author Truman Capote befriends two murderers while researching his celebrated book "In Cold Blood" - and finds himself changed to the core. In Cold Blood The powerful true story of a callous murder from the minds of the criminals who performed it. Based on Truman Capote's best-selling novel."Certainly as good [as Capote] ! and a lot more fun. Toby Jones is so physically right, you'll think Capote is playing himself." - Jack Mathews, NEW YORK DAILY NEWS 1959 Manhattan was a party, and none of the glitterati glittered brighter than Truman Capote. Then he saw a story in The New York Times: "Wealthy Farmer, 3 of Family Slain," and the party ended for Capote. He plunged into the murder case that inspired his great "nonfiction novel" In Cold Blood and led him into a fevered relationship with one of the two doomed killers. But there's more to the story than you know. Toby Jones (as Capote) leads Sandra Bullock, Daniel Craig, Sigourney Weaver and many more stars in a witty, moving and astonishing tale of obsession. What happened to the extraordinary literary talent that burned within Truman Capote? The answer may be found in a story at once famous and Infamous.Infamous is inevitably compared to Capote, since it also chronicles author Truman Capote's spiral into chaos while composing his! masterpiece, In Cold Blood, a breakthrough non-fiction! al tale told as fiction. It's a shame that Capote's critical acclaim eclipsed this film's, as Toby Jones is perfectly convincing as Capote, with his small stature and eccentric manner. Infamous mimics the novel's fictionalized non-fiction, opening on "interviews" with Capote's New York friends like Diana Vreeland (Juliet Stevenson) and Babe Paley (Sigourney Weaver). The film, set in 1959, begins with Capote's discovery of the farm family murder story and his trek out to Kansas with confidant, Nelle Harper Lee (Sandra Bullock). Stressing Capote's relationships with Lee, the film justifies Capote's marginal behavior by Lee's speaking about Capote's childhood neglect, which she also wrote into To Kill A Mockingbird. Capote's own description of his rough childhood then serves as a barrier breaker between himself and Perry Smith (Daniel Craig), the half of the Perry Smith-Dick Hickock killing team who is at first unwilling to talk. Infamous makes much of the s! exual tension between Capote and Smith, implying that Capote persevered through his project for Smith's love. Based on George Plimpton's oral biography, Infamous deserves a stellar place in Capote-lore, as there is ample room for both competing films. --Trinie DaltonContains:

Breakfast at Tiffany's
House of Flowers
A Diamond Guitar
A Christmas Memory

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The Banger Sisters

• Condition: New
• Format: DVD
• Closed-captioned; Color; Dolby; DVD; Widescreen; NTSC

Suzette leaves Los Angeles to seek out her old friend Vinnie, both former rock groupies, only to find that LaVinia is now married with children living a very conservative lifestyle.
Genre: Feature Film-Comedy
Rating: R
Release Date: 12-JUN-2007
Media Type: DVDFor thinly scripted fluff, The Banger Sisters sure is a lot of fun. With Goldie Hawn and Susan Sarandon as former groupies now settling into their fifties, this predictable comedy gets a zesty boost of vitality and unsentimental nostalgia. Trouble is, Lavinia (or Vinnie, played by Sarandon) is an uptight Phoenix housewife with a lawyer husband, two spoiled daughters, and a calendar full of charity benefits. Free-spirited Suzette (Hawn) remained true to their past as the notorious rocker-lov! in' Banger Sisters, and when she visits Vinnie after decades apart, it's not long before Vinnie rediscovers the lively self she'd buried under her drably expensive wardrobe. It's conspicuously formulaic, with Geoffrey Rush as another buttoned-up character liberated by Suzette's fun-loving wisdom. And yet, as Goldie channels the "Penny Lane" vibe that her daughter, Kate Hudson, brought to Almost Famous, this light and laugh-worthy movie reminds us that it's never too late to indulge a bit of rock & roll abandon. --Jeff Shannon

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The Godzilla Collection

• This is the ultimate Godzilla Movie Collection. Includes 7 Movies and over 20 Hours of content and bonus features! Gojira / King of the Monsters (2 disc set), Godzilla, King of the Monsters, Godzilla Raids Again, Mothra vs. Godzilla, Ghidorah, The Three-Headed Monster, Invasion of Astro Monster, Terror of Mechagodzilla Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: NR Age:&nbs

Ishiro Honda’s Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than twenty sequels and spinoffs. This first thrilling, tactile spectacle continues to be a cult phenomenon; here, we present the ! original, 1954 Japanese version, along with Godzilla: King of the Monsters!, the 1956 American reworking starring Raymond Burr (Rear Window).Gojira / Godzilla, King of the Monsters

The first of the Godzilla movies, and the most somber and serious in tone, Gojiro was originally a 98-minute Japanese horror film, until a U.S. company bought the rights and reissued the film at 79 minutes, replacing sequences involving a Japanese reporter with new inserts of a dour, pipe-smoking Raymond Burr. Both versions appear together for the first time in this release from Sony Wonder.

Godzilla Raids Again

Godzilla is back, and this time he’s not alone! Godzilla and the spiny monster Anguirus are in a heated battle on a small Japanese island. As the threat of destruction mounts, two Japanese heroes muster their courage for the final showdown with Godzilla.

Mothra vs. Godzilla

After a fierce typhoon, Mothra’s gigantic egg was! hes ashore Japan. Meanwhile Godzilla reawakens and tramples ac! ross the land, heading straight for the big egg. Can Mothra save her offspring from Godzilla? Will Japan survive this epic monster battle?

Ghidorah: The Three-Headed Monster

Ghidorah, the Three-Headed Monster -- A prophetess from Venus foretells cataclysmic disasters! Godzilla, Mothra and Rodan reappear in Japan, wreaking havoc! A giant meteor crashes into the mountains and the three-headed, fire-spitting space dragon King Ghidorah emerges! As the Venusian's prophecies come true, assassins from a tiny Asian kingdom hunt her down, while the Earth monsters must decide whether to settle their petty differences and join forces against the extraterrestrial enemy!

Invasion of Astro-Monster

Invasion of Astro-Monster/Godzilla vs. Monster Zero -- Aliens from Planet X borrow our monsters for a little extermination project, but they've got something else up their sleeves: world domination! Using mind-control technology, these vinyl-and-sunglasses wearing s! pacemen turn Godzilla, Rodan and King Ghidorah loose in Japan, demanding Earth's surrender! It's up to American astronaut F. Glenn, his galaxy-trotting buddy Fuji, and nerdy inventor Tetsuo to break the aliens' hold on the monsters and save our planet from certain doom.

Terror of Mechagodzilla

Evil spacemen from the Black Hole are plotting to flatten Tokyo and build their own utopian city. Aided by deranged scientist Dr. Mafune, the aliens unleash a rebuilt Mechagodzilla and the monster Titanosaurus to do their evil bidding, until Godzilla surfaces to defend his homeland and the earth-shattering destruction begins. Mothra vs. Godzilla

More visually splendid and imaginatively written than the other Godzilla sequels, this (the fourth in the series) starts when Mothra's gigantic egg washes ashore in Japan, having been dislodged from Mothra Island by a hurricane. Two tiny twin girls (sometimes singing like dual-diminutive Dorothy Lamours) from the i! sland come to plead for the return of the egg by the greedy bu! siness g uys who bought it for a tourist attraction, but to no avail. Radiation from nuclear testing revives Godzilla from the earth, who proceeds to threaten the egg and the cities, unless Mothra and his larvae hatched from the egg can stop him. The battle sequences between Mothra and Godzilla, and between Godzilla and the larvae, are spectacularly vivid and colorful. --Jim Gay

Terror of Mechagodzilla

In 1974, Inoshiro Honda, the original and best Godzilla director, returned after a five-year absence to direct this 20th-anniversary commemoration to Gojira (the original Japanese name for Godzilla, before the West Anglicized it). This is the fifteenth film in the Godzilla series, and the eleventh by director Honda. Yet again the aliens (from the third planet of the black hole, whatever that means; they don't really provide directions) stage a takeover of Earth, this time with the aid of Mechagodzilla and Titanosaurus (they're just what they sound like). They owe! the mad scientist Mafuni for the use of Titanosaurus, who in turn owes the aliens for resurrecting his daughter, Katsura, badly hurt in an accident, albeit now as a cyborg with the ability to control their two mecha-monsters. It shapes up as the fight of the century when Godzilla is pressed into service for our side. The battling behemoths afford the most dramatic and vivid fight scenes in all of Godzilladom in this one. Let's hope the aliens don't win; they're so smug. --Jim Gay

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Changeling

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn't her boy. Driven by one woman's relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother's love in "a mesmerizing film that burns in the memory" (Peter Travers, Rolling Stone). Starring: Angelina Jolie, John Malkovich, Jeffrey Donovan, Michael Kelly, Colm Feore, Jason Butler Harner, Amy Ryan, Geoff Pierson, Denis O'Hare, Frank Wood Direc! ted by: Clint EastwoodClint Eastwood’s mastery as a director, established over the past decade and a half with Unforgiven, Million Dollar Baby, Letters from Iwo Jima, and others, continues with Changeling, a 2008 offering based on a shocking but all-too-true story about child abduction and police corruption in 1920s Los Angeles. Single mother Christine Collins (Angelina Jolie, excellent in a role with somewhat limited parameters) finds her 9-year-old son, Walter, missing when she returns home from work one day. She files a report with the Los Angeles Police Department, an outfit that was wildly unpopular at the time (in his regular radio broadcast, a crusading pastor played by John Malkovich decries the force as "violent and corrupt," adding that "our protectors are our brutalizers"). When a child roughly matching Walter’s description turns up in Illinois five months later, the LAPD, intent on salvaging its tattered reputation, is onl! y too eager to claim that he is Collins’ missing child. Litt! le matte rs that he’s three inches shorter, is circumcised (Walter wasn’t), and fails to pass muster with Walter’s dentist, schoolteacher, and others; the cops, in particular the odious Captain J.J. Jones (Jeffrey Donovan), insist that the mistake is Christine’s, not theirs. What follows is almost too nightmarish to believe--except that it actually happened. Exasperated by Collins’ continued claim that "Walter" is a fraud, they trot out a doctor to reinforce the bogus ID, declare her unfit as a mother, and finally have her committed to a local psychopathic ward. Through it all, Collins, bolstered by the pastor and thousands of outraged Angelenos, refuses to sign a document that would exonerate the police for their egregious error. As for Walter, it’s only when the LAPD’s seemingly only honest detective (Michael Kelly) takes matters into his own hands that the grisly mystery of the child’s fate begins to be solved. That would have been a good place for the film to conc! lude, too. Unfortunately, it goes on for more than another half hour, with innumerable false endings that add nothing to the story and could just as easily have been summarized with a few sentences before the final credits. That flaw aside (and it’s a major one), Changeling is a powerful film, with a realistic period feel, a wonderfully muted vibe and color palette, and an understated score by Eastwood himself. --Sam Graham

Stills from Changeling (Click for larger image)

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