Wednesday, January 11, 2012

The Hangover (Rated Single-Disc Edition)

  • PLAYBACK ON THIS DVD IS PERFECT!
From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his! frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat pr! edictable, the comedic moments are not--though by halfway thou! gh the t rip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip ! that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, i! rresponsible, and uncensored. Downey is Peter, a straitlaced n! ew fathe r-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert ! Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Pet! er will be able to resist strangling Ethan with his own scarf,! or wors e. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2The Hangover (2009 Rated R) A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him. Director: Todd Phillips Writers: Jon Lucas, Scott Moore Stars: Zach Galifianakis, Bradley Cooper and Justin Bartha DVD in "Like New" Has been watched once and works Perfectly! Why spend $19.00 for it brand New when you can Save BIG by buying the same dvd gently used. In Like New Condition!If you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The sta! ndout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

Capezio Daisy 205 Ballet Shoe (Toddler/Little Kid),Ballet Pink,12.5 M US Little Kid

  • See size chart to verify correct sizing
Capezio Daisy ballet pink ballet features premium leather, cotton daisy print lining, ID tag and anchored drawstring and attached elastic straps. Sizing: Order same as street shoe.

Falling Down

  • Condition: New
  • Format: DVD
  • Widescreen; Closed-captioned; Color; Dolby; DVD; NTSC
A man who has lost his job and his marriage takes a walk through the troubled urban landscape of Los Angeles on a hot, destructive day, with a retiring police officer trying to anticipate the next stop.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-FEB-2005
Media Type: DVDThis film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut, and short-sleeved white shirt, gets stuck in traffic one day near downtown L.A. and proceeds to just walk away from his car--and then lose it emotionally. Ev! eryone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across L.A. (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine

Good

  • GOOD (DVD MOVIE)
When John Halder’s (Viggo Mortensen) latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich’s horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

Best in Show

  • The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock
Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker ! Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once "Hollywood Now" anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationships and brittle dreams play out in unexpected ways...Christo! pher Guest (director of A Mighty Wind, Best in Show, and Waiting for Guffman) and his sparkling troupe of improvisational satirists return with a sardonic look at C-list (or perhaps D- or E-list) actors driven to the brink of madness by the possibility of winning an Academy Award. Marilyn Hack (the ever-brilliant Catherine O'Hara, Beetlejuice), a modestly talented character actress, hears of an Internet rumor that she might be nominated for the dubious movie she's currently making, Home for Purim. Soon buzz is flying about all the rest of the cast (which includes Harry Shearer and Parker Posey) and everyone starts clawing for as much attention as they can get while appearing modest and unambitious. Despite the movie's target being so familiar to them, For Your Consideration is not Guest & Co.'s best work--in an effort to give everyone in the huge cast face time, few of the characters gain any comic traction or have a particularly engaging storyline; the mockery stays on a fairly surface level. Nonethe! less, some of those surfaces are pretty funny: Fred Willard and Jane Lynch are devastating as a pair of predatory infotainment hosts, while Jennifer Coolidge (Legally Blonde) turns in a daffy and surreal performance. Throughout, the movie's anchor is O'Hara; the way her character is virtually crushed by the hype has a surprising richness and depth. She remains a cinematic treasure. --Bret FetzerA new comedy from the director of Waiting for Guffman, Best in Show and a Mighty Wind. Special Features includes Commentary by Co-Writers Christopher Guest and Eugene Levy - Over 30 minutes of Hilarious Bonus Material - Home for Purim Poster Gallery - Theatrical Trailer.A blue ribbon look at dog show participants and the pooches who love them.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format ! of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye. --Bret Fetzer

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